關於高志強

FOUNDER

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高志强,高级室内建筑师,1975年生于北京,毕业于清华大学美术学院环境艺术设计专业、北京大学EMBA研究生班,中国建筑设计集团筑邦设计院副院长、2019年中国设计人物大会执委AFFD设计事务所创始人。纵横行业20余年,他是中国室内建筑设计师中的标杆式人物。高志强开创性提出“空间情绪设计”的观点,主持设计了百度国际大厦、建行研究院、同仁堂粹和康养体验中心、穷游网办公、汪小菲私宅、张兰私宅等众多高端办公、私宅及康养项目。


Senior interior designer Steve Gao was born in Beijing in 1975. He graduated from Environmental Art Design of Academy of Tsinghua University and EMBA of Beijing University and subsequently served as Deputy Director of Truebond of China Architecture Design Group and Executive Commitee member of 2019 Designers of the Year of China and founder of AFFD. With 20 years of professional experience, he is the benchmark figure among interior designers in China. Gao had innovatively proposed the concept of “S.E.D. Spatial Emotion Design.”, in addition to designing high-end office buildings and private residences like Baidu International Building, CCB Research Institute, TRT Cuihe Healthcare Experience Center, Quer office, and private residence of Barbie Hsu and Wang Xiaofei.

 

作为中国疾速城市化浪潮的亲历者,高志强是现代主义诚挚的表达者,他身上既有“80后”锐意风趣的创作心态,又有属于“70后”睿智深邃的思想谱系,明心见性,不惧不忧。现担任中国建筑装饰协会设计委员会副主任委员、中国房地产协会商业地产委员会专家委员等社会职务,他曾荣获全国杰出中青年室内设计师、中国设计年度人物、中国室内设计精英奖等多项荣誉,积极参与向汶川灾区捐助等大型行业公益活动。


After experiencing urbanization in China, Gao is an earnest expressor of modernism. He possesses both sharp creativity of the 1980s and prudent thoughts of the 1970s while fearing no challenges. He currently serves as Deputy Minister of China Building Decoration Association and Expert of Commercial and Tourism Real Estate Professional Committee of China Real Estate Association. He had been awarded as the National Outstanding Young Interior Designer, top hundred prestigious interior designers, and Elite Award of Interior Design in China. He had also contributed to major charity events such as donation for victims of the Wenchuan earthquake.





設計表現手法  Presentation of design


現代啟悟,空間賦彩 

Modern sensation within elegant space

 

高志強成長於70年代,作為中國疾速城市化浪潮和激烈革新時代的親歷者,目睹了城市空間從集體主義向個體情感的歷史轉變,他身上既有“80後”聰明幽默的創作心態,又有屬於“70後”睿智深邃的思想譜系。


Gao grew up in the 1970s. As one who experienced swift urbanization and revolutionary era in China, he had witnessed the historical change of how urban space transformed from collectivism to individual sensation. He possesses both sharp creativity of the 1980s and prudent thoughts of the 1970s.

 

從一長串的項目設計履歷來看,高志強幾乎是多種空間類型都可以勝任的室內設計師,叱吒行業20餘年,高志強是現代主義的忠實表達者,他將其藝術感悟融入到造型與空間的關係之中,時間痕跡和設計價值串聯起來,形成他獨有的現代而考究、風趣而節制、睿智而創新的室內設計語言。高志強更在意空間與人和自然的關係,拋卻形式和表皮,憑藉他深湛的視覺藝術,以簡潔聰明的處理手法,塑造純粹的空間造型,他致力於打破傳統建築學的思維方式,融入更多天才般的奇思妙想與人文關懷,賦予建築以生命神彩,使空間對使用者產生正面影響,與之不斷成長,最終與人成為一體。


Judging from his long resume, Gao can be viewed as an interior designer who is suitable for various types of space. Through his twenty-year career, Gao has always been a loyal expression of modernism. He puts the sensation of art into the combination of shape and space, connecting trail of time to value of design, and creating his unique modern interior design style which is creative and wise. Gao cares about the connection between mankind and nature while abolishing physical forms. Through the simple and smart method, he endeavors to break through traditional perception toward architecture, injecting the trend with imagination, and enabling lively architectural space to influence users positively, making architecture and user one entity.

 

當下中國,既可以視為外國建築大師的實驗場,但同時又有機會顛覆大師的傳奇。許多國內建築設計師卻處於被動狀態,往往用力過猛,成為形式感的奴隸。在高志強看來,建築設計師應該具備一種“淨化”的能力,通過排除和簡化,從繁雜的注解和複雜的問題中,找到最聰明、最極致的表達方式。面對同一個專案,他會和團隊思考碰撞出更多的解決方案,站在不同視角思考問題,平衡人和建築、自然地關係,通過不斷地做減法,找到最輕鬆幽默的解決方式,將設計完成得恰到好處,不多不少,不增不減。


Contemporary China can be considered as an experimental ground for foreign architects which can potentially create groundbreaking inventions. Many domestic architectural designers behave in a passive manner, which rendering them slaves of formality. To Gao, architectural designers should retain the capability of purification. Through simplification, one may find the most brilliant way of expression. Facing the same project, he tends to come up with numerous solutions through brainstorming with the team. He solves problems through various perspectives, and balances the relationship between mankind, architecture, and nature by cutting down problems, he locates the most humorous and simplest solution to them and accomplishes the perfect design. 



帷幕之後,功夫在詩外  

Behind the scenes

 

言談風趣、極具表達能力的高志強是業內公認的學識淵博的設計師。他將與客戶的合作溝通,比作像“談戀愛”一樣,設計師要想方設法通過各個管道、各種可能,最大限度地去瞭解你的客戶,走進客戶內心世界,轉換到客戶的角度去思考問題,去感受,去聆聽。交流溝通實際上是與客戶思想、精神上深度碰撞、相互學習的過程,讓他們真正參與到設計中來,並非對設計指手劃腳,而是對設計方案的共同優化、彼此成就。

Gao is a brilliant designer with well-known communication ability. He compares discussion with clients to a romantic relationship. Designers have to understand the intent of clients in various ways, and examines problems through clients’ perspective. Communication is a process with which one may clash with and learn from customers, and place them directly into the procedure of designing, accomplishing the project together ultimately.

 

“功夫在詩外,應當有更廣泛地涉獵並注重對自身的培養”。設計師自身品位素養極其重要,品位體現在很多方面,設計作品、待人接物、衣著造型、言談舉止等,這些也幾乎成為外界瞭解其設計能力的首要因素,只有把自己鍛造的極其厚實、豐富有內涵,才能輕鬆駕馭各種項目。“對生活的熱愛,對未知的好奇,廣覽多讀,人情練達,世事洞明,提升自己的認知維度,能夠從不同角度去看待問題,思考問題,解決問題,鍛造出色的品味,以一顆善良、謙遜、熱忱和慈悲的心去做設計,”高志強說,這些都是提升設計自身素養的不二法門。”


One should extensively improve oneself.” The inner qualities of designers are of uttermost importance. Such qualities encompass works, interpersonal attitude, clothing, and words. These elements become the prior factors for the public to determine one’s capability in design. Only when one makes oneself impeccable can one handle various projects with ease. “With a love for life, curiosity for unknown, and well-read mindset, one may solve problems with different perspectives, and design with kindness and humility,” Gao said these qualities are essential to enriching one’s own spirit.


季裕棠和貝聿銘先生,是高志強生命中敬仰神往的兩位華裔建築設計大師。季裕棠先生所遵循的“美麗而實用,現代而舒適”的設計理念,賦予空間以靈魂,將生活情感注入設計,非常遊刃有餘地把設計做得恰到好處,不多不少,不增不減。貝聿銘先生被譽為現代主義的守護者,建築與環境自然融合,空間處理獨具匠心,建築造型之美如神諭一般,利用光線締造了諸多崇高而詩意的建築奇跡。


Tony Chi and Leoh Ming Pei are two major Chinese architects that inspires Gao much. Chi designs with the concept of “beautiful and practical, while modern and comfortable” gives space its soul, and injects lively emotion into the design, resulting in perfect works. Pei is known as the guardian of modernism, whose buildings mingles perfectly with nature, with unique space designs that utilize lighting as if it were heavenly signals.

 

幾乎沒有一個專業像建築學這樣,要求學習大量的知識,把功能性和文化性融合在一個物理空間。多年來,高志強一直在汲取各種能量,用於和更新的東西產生共振。在繪畫、書法、健身、太極、閱讀等諸多方面均有造詣。“學習太極拳讓我豁然開朗,向內心求索,陰陽和合、虛實相生、動中有靜、剛柔相濟,外表樸實無華,恬靜怡然,內裡卻豐富異常,張力十足!” 


Almost nothing requires as much knowledge as architecture, which combines functionality and culture into one physical space. For years, Gao has been absorbing various inspirations in order to relate himself to new inventions. He has participated in painting, calligraphy, working out, tai-chi, and reading. “Learning tai-chi brings out the spirit in me and enables me to explore inward. The combination and rhythm between yin and yang may look simple on the appearance, yet the core contains rich energy.”



空間情緒設計 回歸人文本真 S.E.D. Spatial Emotion Design: return to purity

 

“空間最終還是要跟人發生關係,設計的本質是為人類創造一種更為合理的生存方式。”就像髙志强所說,建築空間的優雅雋永與使用者的舒適體驗,才是其最終目的。


”Space has to connect with human. The essence of design is to create a more reasonable style of living for mankind.” As Gao implied, the ultimate purpose of design lies in the elegance of architectural space and the comfort of users.

 

“空間情緒設計”的概念與國際WELL健康建築標準™(WELL™)所宣導的理念不謀而合,他們在全球引導推動一場通過變革建築及空間來促進人們身心健康的運動。以建築為媒介,提供一個改善健康與福祉效應的綜合模式,能夠讓使用者的舒適程度、工作效率和心理情緒都獲得改善。其中,”空氣、水、營養、光線、健身、舒適性和精神“被視為影響人們健康的建築七屬性。


The concept of “S.E.D. Spatial Emotion Design” echoes to the motif of WELL™. WELL™ promotes a campaign to improve public mental health by revolutionizing architecture and space. Through architecture, they provide an integrated model to improve health and mental welfare, which elevates users’ comfort, working efficiency, and emotion. Air, water, nutrition, light, health, comfort, and spirit are considered the seven architectural features that influence health.

 

通過理論調研與實踐探索,髙志强重新定義了空間設計與人的情緒邊界,將“空間情緒設計”概念引入國內建築設計行業的視野中。“空間情緒設計”主張把空間功能重新賦予人的屬性,通過對空間的設計和塑造,使人居於其中,生理和心理情緒均處於最佳狀態。回歸到人文本真,首先需要考慮的是“使用者的感知體驗”,其次是建築要“優雅雋永的存在”,最終空間設計能幫助業主創造性地實現更多的附加價值。


Through research and practice, Gao redefines emotional borders between space design and human, introducing S.E.D. Spatial Emotion Design to the domestic architecture design industry. S.E.D. Spatial Emotion Design aims to return space function to users. Through designing and molding of the space, one may dwell within in perfect physical and mental states. To return to pure purity, one has to take the sensational experience of users into consideration. The architecture also has to become a place of elegance. Ultimately, space design can help business owners in creating more added value.



職業履歷Experiences:


1995年 清華大學美術學院環藝系學習 

1995: Studying in Environmental Art Design of Academy of Tsinghua University


2000年 創立深美藍圖裝飾公司任總設計師 

2000: Founded Shengmay Decoration Company, serving as head designer


2004年 創立聖美設計公司任總設計師 

2004: Founded Shengmay Design Company, serving as head designer


2009年 任中國建築設計集團築邦設計院任副院長,創立高志強工作室 

2009: Served as Deputy Director of Truebond of China Architecture Design Group, and founded AFFD SPACE DESIGN FIRM




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